Timon Beyes and Christina Volkmann, "The fantasy of the organizational One: Postdemocracy, organizational transformation and the (im)possibility of politics" ("Journal of Organizational Change Management", 23 [6], 2010: pp. 651-68):
www.emeraldinsight.com/journals.htm?articleid=1891962
Abstract: "Purpose – The purpose of this paper is to reflect upon the politics of and in organizational transformations in the wake of the fall of the Berlin wall and Germany's reunification. Design/methodology/approach – The paper juxtaposes a political-philosophical perspective informed by Rancière – what we call a dramaturgy of politics – with the findings of an ethnographic study conducted in the Berlin State Library in 2002/2003. Findings – The paper outlines a reading of the event of November 9, 1989[,] and its aftermath as a dissensual event of politics proper, i.e. the emergence of a new political subjectivity, followed by a consensual process of social organization. In the state library, both the consensual 'fantasy of the organizational One' as well [sic] its disruption are causing struggles over what is visible and sayable. A dramaturgy of politics thus encourages us to add our voices to the specific time-spaces in which an excess of words, signs and forms alters the configuration of what is visible and expressible. Research limitations/implications – The usual disclaimers about the limits of ethnographic research apply. The paper calls for further inquiries into the dramaturgy of organizational politics. It also reflects upon the 'Western gaze' and the problematic of 'speaking for' the presumably dominated. Originality/value – It is hoped that the paper contributes to the understanding of the politics of organization (theory) by outlining an alternative conceptual approach and confronting it with ethnographic findings."
I had no access to the full text of the article.
Timon Beyes is Senior Lecturer in Non-Profit Management at the University of St Gallen, Switzerland.
Christina Volkmann is Lecturer in Management at the University of Essex.
Showing posts with label ethnography. Show all posts
Showing posts with label ethnography. Show all posts
15 November 2010
08 May 2010
Book: Karaoke Fascism: Burma and the Politics of Fear
Monique Skidmore, "Karaoke Fascism: Burma and the Politics of Fear" (University of Pennsylvania Press, 2004):
http://www.upenn.edu/pennpress/book/14094.html
Publisher's description: "To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life. Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression.
"'Karaoke fascism' is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant."
Review: "Skidmore captures perfectly how even the passing visitor to Burma absorbs the atmosphere of fear and internalises the vulnerability and precariousness of a life under a military dictatorship. It is rare for an academic work to be so captivating." ("Australian Journal of Anthropology")
The book if fully searchable on Google Book Search (including table of contents):
http://books.google.com/books?id=nVxwUkwIU8MC&printsec=frontcover
Professor Monique Skidmore is now Dean of the Faculty of Arts and Design at the University of Canberra.
http://www.upenn.edu/pennpress/book/14094.html
Publisher's description: "To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life. Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression.
"'Karaoke fascism' is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant."
Review: "Skidmore captures perfectly how even the passing visitor to Burma absorbs the atmosphere of fear and internalises the vulnerability and precariousness of a life under a military dictatorship. It is rare for an academic work to be so captivating." ("Australian Journal of Anthropology")
The book if fully searchable on Google Book Search (including table of contents):
http://books.google.com/books?id=nVxwUkwIU8MC&printsec=frontcover
Professor Monique Skidmore is now Dean of the Faculty of Arts and Design at the University of Canberra.
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